C E C I L E C H O N G

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A Tribute , 2016 encaustic (pigmented beeswax) and mixed media on panel, 14 x 13 inches, $1400.

Open Seating , 2015, encaustic (pigmented beeswax) and mixed media on panel, 24 x 24 inches, $2800.

Road Trip , 2015, encaustic (pigmented beeswax), oil, pigments from Morocco and India, volcanic ash from Ecuador, rice paper, gold leaf, electronic components from circuit boards and transferred images on panel, 20 x 16 inches, $2200.

Almost Ready , 2015, encaustic (pigmented beeswax), oil, pigments from Morocco and India, volcanic ash from Ecuador, rice paper, gold leaf, electronic components from circuit boards and transferred images on panel, 20 x 16 inches, $2200.

Feeling Cozy , 2015, encaustic (pigmented beeswax), oil, pigments from Morocco and India, volcanic ash from Ecuador, rice paper, gold leaf, electronic components from circuit boards and transferred images on panel, 22 x 12 inches, $1800.

Chocolate-Chocolate-ChiKuLek 朱古力 (II) , 2013, encaustic (pigmented beeswax), oil, pigments from Morocco and India, volcanic ash from Ecuador, rice paper, gold leaf, electronic components from circuit boards and transferred images on panel, 11 x 8 inches, $1100.

Multi-Tasking , 2010, encaustic (pigmented beeswax), oil, pigments from Morocco and India, volcanic ash from Ecuador, rice paper, gold leaf, electronic components from circuit boards and transferred images on panel, 20 x 24 inches (oval), $2600.

Served , 2012, encaustic (pigmented beeswax), oil, pigments from Morocco and India, volcanic ash from Ecuador, rice paper, gold leaf and transferred images on panel, 4 X 5 inches, $400.

Bone, 2012, encaustic (pigmented beeswax), oil, pigments from Morocco and India, volcanic ash from Ecuador, rice paper, gold leaf, electronic components from circuit boards and transferred images on panel, 4 x 4 inches, $350.

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Cecile Chong uses encaustic and mixed media to create cross-culture narratives. She juxtaposes appropriated images from vintage children's books and other found images to address cross-cultural encounter, the process of cultural assimilation and the development of individual identity. The artist is especially interested in this subject having been born in South America of Chinese parents and having learned about her ancestors' culture as an outsider.

PRESS:

BKLYNER

NYC Parks: Installation Opening

3 Dots Water: Artist in Focus

AIOP

New York Times

reIMAGination