J A C K I E B A T T E N F I E L D
Battenfield’s meditative painting process begins with the artist’s close attention to the graceful forms of unfolding leaves and blossoms, and to the twisted boughs and branches of trees. The artist painstakingly translates her photographic studies into drawings on large sheets of translucent Mylar, taking care to stay true to the original images. The artist makes hundreds of color studies before arriving at the palette for each painting. When applied to the Mylar, Battenfield’s ink-like pigments reassert themselves, separating and forming unexpected, distinctive abstract, transparent and opaque patterns. The finished painting on Mylar is mounted on a panel that allows light to play behind the pristine painted surface.
R A C H E L H E L L E R I C H
M A R Y J U D G E
Mary Judge's work explores the diagrammatic, the topological, the three-dimensional aspects of the drawing both through a linear-planar and tonal atmospheric representation of form, as a way of exploring what seems like a lost territory between image and object.
J E N N Y K E M P
M O L L Y M c C R A C K E N K U M A R
In Hindu philosophy, Shiva's cosmic dance represents the whirling flow that is the dynamic tension and change of the universe. This concept is present equally in the galactic as it is in every cellular process. The artist experiences this dynamic tension most keenly while gardening and observing plants grow and change throughout the seasons, where contemplating nature's process of birth, death, and rebirth inspires her artistic practice without directly illustrating the garden, McCracken Kumar's paintings embody its themes. The colorful surfaces of diaphanous layers give the sensation of being under water or in a densely humid mist. These sensuous and fluid atmospheres develop through many layers of translucent paint that co-mingle with small motifs. The motifs are covered over with more layers to suggest a deep space and pregnant air. Desire becomes the evolutionary impetus for the growth, illumination, renewal, and possibilities. Feelings of tranquility are explored as a way to find balance and rest within the incessant movement. The final image then becomes a kinetic yet still embodiment of this painting process.
Molly McCracken Kumar earned an MFA in painting from San Francisco Art Institute. She lives and works in Portland, OR.
C A T H E R I N E L A T S O N
Boundless curiosity, close observation and patience are manifest in the gorgeous work of Catherine Latson. The Specimen Series is inspired by sea anemones and the motion of a water-bound world, exploring forms that blur the lines between animal and plant, realism and fantasy, sculpture and specimen. Radial symmetry and tentacle structures are common denominators in the mysterious variety of forms in Latson’s newest work. Each wall sculpture describes a mysterious, hybridized and imagined organism in arrested motion.
Latson’s complex artworks belie her simple materials. The artist hand-dyes embroidery floss in variations of a single dominant color and wraps the thread tightly and skillfully around her armature. The construction of each work entails countless hours of whipping and knotting resulting in dense, rich color and graceful, compelling compositions.
Catherine Latson earned a BA in Biology from Macalester College, St Paul, MN. Her work has been exhibited throughout the United States, including at The Hudson River Museum, Yonkers, NY and in the Macy’s Flowers Shows in Philadelphia, PA and New York, NY and has been featured in the American Craft Magazine and The New York Times. The artist works in Yonkers, NY.
J O A N N E M A T T E R A
"I have long referred to my work as lush minimalism, a term that’s as tongue in cheek as it is true."
“I was dazzled by the well-handled triangles of Joanne Mattera’s Chromatic Geometry ...”
- James Panero
P E T E R P I N C U S
Born in Rochester, NY, Peter Pincus is a ceramic artist and instructor. He joined the School for American Crafts as Visiting Assistant Professor in Ceramics at Rochester Institute of Technology in Fall 2014. Peter received his BFA (2005) and MFA (2011) in ceramics from Alfred University, and in between was a resident artist at the Mendocino Art Center in Mendocino, California. Since graduate school, Peter worked as the Studio Manager and Resident Artist Coordinator of the Genesee Center for Arts and Education in Rochester, NY, Adjunct Professor of three dimensional studies at Roberts Wesleyan College and has established a studio in Penfield NY.
His work has been exhibited in venues such as the Salon Art + Design, SOFA Chicago, Collective Design, Lewis Wexler Gallery, Duane Reed Gallery, Sherry Leedy Contemporary Art, Ferrin Contemporary, Greenwich House Pottery, and National Council on Education for the Ceramic Art. Peter's work can be found in numerous private and public collections.
J A N N A W A T S O N
Janna Watson is a young artist who has quickly made an impression on the contemporary art scene. Her abstract compositions and energetic brushstrokes possess an elegant and powerful vitality. A masterful colorist, Watson’s paintings are a carefully balanced orchestra of color. She creates energetic tension between deliberate and confident marks and spontaneous drips and gestures that are artifacts of her intuitive process. Watson’s compositions are an intriguing assertion of bold gesture set against atmospheric expression. Watson’s rich palette is further amplified by the addition of a high-gloss resin finish that deepens the illusionistic space and reflects light.
The artist is widely exhibited internationally. Watson’s paintings can be found in several significant collections, including in the Toronto collections of TD Bank Financial Group, CIBC, the Ritz-Carlton Hotel and the HBC Global Art Collection in New York. In 2017, she was selected to create a mural-size painting for the feature space in AURA, North America’s largest condominium building. Watson earned a BFA in Drawing and Painting from Ontario College of Art and Design, Toronto, ON. The artist lives and works in Toronto, Canada.