Glass focuses primarily on drawing, using various traditional methods and materials as a foundation for her work, including traditional silverpoint and 14k goldpoint, homemade organic inks and oil and acrylic painting with mixed mica using fine point crow quill pens in place of brushes.
Glass is inspired by the tradition of idealizing nature in art and design as ornament across cultures while seeking to observe and represent her subjects as accurately as possible in all their irregularity and imperfection.
Central to her work is the exploration of ephemeral, fragile subjects, focusing primarily on weeds, ‘waste plants’ and other plants generally considered to be undesirable, to recognize their beauty in all of their imperfection and asymmetry. Her focus on these marginal plants is guided by the question of what we value, what we consider ‘belonging’ to mean, to highlight the beauty of what is present in the disrupted landscape that we find ourselves in today.
Margot Glass grew up in New York City, and studied art at The Art Students' League, Brown University, Rhode Island School of Design, and Fashion Institute of Technology. Glass’s work has been widely exhibited in the United States and internationally. She is a recipient of a Massachusetts Cultural Council STARS Artist Residency; Lost and Found Lab Artist-in-Residence and an Oak Spring Garden Foundation Interdisciplinary Fellowship. Her work is in private and public collections including the Hunt Institute for Botanical Documentation at Carnegie Mellon, PA, Weatherspoon Art Museum, NC, Oak Spring Garden Foundation, VA, Fidelity Investments Corporate Art Collection, MA, Hotel Del Coronado Collection, CA, Allentown Art Museum, PA, Midwest Museum of American Art, Elkhart, IN, the Beth Rudin deWoody Collection, among others. She currently lives and works in Western Massachusetts.